Such freeform painting is just one of the techniques
If you happen to be passing through the neighborhood of Guadalupe anyway, the Carballo collection is worth a visit, especially if you have never heard his name. What's striking about Carballo is that he has tried a variety of styles and media: "Muchacha Bonita" is the portrait of a young woman, a kind of line drawing made from dripped paint. In contrast, "Espalda Masculina" ("Masculine Back") shows a shirtless man's shoulder blades. His musculature is richly colored and shaded with colored pencils. The two portraits seem completely dissimilar, as if created by two very different artists.
Yet all of Carballo's work shares a single trait: it seems slightly unreal. Even his most realistic figures, like the one in "Personaje" ("Character"), is somehow warped or exaggerated. The bald, naked man in "Personaje" is realistically rendered overall, but he has a huge, beckoning hand, like a homunculus in a bad dream. "Madre" ("Mother") is the haunting image of a woman, drawn in stark pen-and-ink, with a stoic face and bulbous lower belly. Carballo imaginatively renders her curvature, from sharp nose to baby bump, with the anatomical freedom of
The Carballo exhibit is the perfect excuse to visit Casa del Artista, an art school operated by the
In this sense, Carballo's work is the perfect installation for the school's lobby. He demonstrates the range of draftsmanship a single artist can attempt. Try everything, he seems to suggest. Something's bound to turn out right.
"ExposiciÓn Grafica de Fernando Carballo" continues through
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