News Column

Phill Jupitus and friends ; Essex comedian Phill Jupitus tells James Rampton about his character based new show which comes to Colchester next month

June 19, 2013


Phill Jupitus, who after 23 series is the last man standing from the original line-up of BBC2's widely adored pop quiz, Never Mind the Buzzcocks, is an immensely popular comedian.

He could easily have hit the road with a show comprising greatest hits gags, and no one would have complained.

But he is a far more adventurous and innovative comic than that. So Phill, who lives in Leigh-on-Sea, has come up with a dazzlingly inventive three-part character comedy show.

Characters He is touring the country with a wonderfully original show, You're Probably Wondering Why I've Asked You Here. It is a beautifully crafted affair in which the comedian plays three very different characters: The Late Vernon Herschel Harley, a legend of stage and screen who died at the age of 114 just last Thursday; The Late Kurt Schiffer, the Korvettenkapitan of the U42B, part of the German Navy's feared Wolf Pack, which was the scourge of the Atlantic shipping lanes during the Second World War; and The Late Phill Jupitus, who died on June 24, 2052 on the eve of his ninetieth birthday.

The show is quite unlike anything you ever seen before. It highlights Phill's marvellous versatility and brilliant off-the- cuff comedy gifts. For this bravura piece, he advises us to Leave your preconceptions at the door, but don't forget to bring your curiosity.

After a hit run at the Edinburgh Festival last summer, tickets for the show are flying out of the door and the critics have been united in praising You're Probably Wondering Why I've Asked You Here... You'll be very glad to hear that, when I chat to him in the run-up to the tour, Phill is just as much fun in person. He begins by explaining the inspiration behind the show: I did a stand-up show two years ago that was just me telling jokes. It was great fun, but I didn't want to do the same thing again.

So this time I was looking for a way of keeping myself interested in the job, and I wanted to approach it in more experimental way. That's how the idea of doing character comedy evolved.

Risky Stand-up is generally risk-adverse, but I wanted to build something with an element of risk because that's when the best stuff happens. The joy of stand-up is that when it's at its best it is like improvisational jazz. It's different every night.

The great thing about You're Probably Wondering Why I've Asked You that it's a show where I know the characters, but I don't know what they'll be asked. Every night is different - it's entirely dependent on the audience. I wanted to find a way of incorporating into the live work the kind of thing that happens on Buzzcocks, where it flies in an entirely free-form manner. That flight of fancy element came from the panel show. Once the audience get what you're doing, they start to participate, and that's when the show really takes off.

Phill, who in 2010 wrote a bestselling book entitled Good Morning, Nantwich - Adventures in Breakfast Radio, proceeds to give an example of the inspired way in which the audience contribute to the show.

Recently, when I was playing Vernon, one guy from the audience said, 'Tell us about your feud with Tony Curtis, which I know you don't like to talk about'. That was brilliant.

On another night, an audience member shouted out to the German submarine commander, 'Tell us about your secret mission to kill Winston Churchill'. I gave that a 10-minute answer. You have to go deep into the character. Something fires you up on stage. The more creative the audience, the more they are rewarded with the responses. Phill carries on by fleshing out the three characters for us.

I chose Vernon because I'm really keen on film and theatre. If anyone throws a particular film or actor at him, there is no way he has not worked with them. So if someone says, 'Tell us about The Lord of the Rings,' Vernon will reply, 'That was one of the most difficult catering jobs of my whole career. As you know, Peter Jackson is dieting quite seriously'. It's that great improviser's maxim of never saying no to an idea.

If you ever hear actors on Desert Island Discs, they're always very cheesy.

They've always got a story about 'dear, dear Larry Olivier'. Vernon is that character taken to ludicrous extremes. I relish it because I have to draw on my own resources. I can go in any direction and to any era.

Phill, who is also a regular guest on BBC2's long-running panel show, QI, continues that, Acting is a quite trivial thing but the way actors talk about it, it sounds like the most important thing in the world.

You listen to any performer who did ENSA shows or variety in London during the Second World War, and it's like they won the War themselves. You think, 'Will you shut up? You were a diversion. You helped people to forget. You were a mere tranquilliser!' I love playing Vernon - it's a colossal imagined name-dropping exercise! Phill derives just as much pleasure from portraying Kurt. The comedian muses that, As a kid, I was fascinated by the Second World War. I was born in 1962, and the War was very much part of the zeitgeist back then.

I had the terrible boy's affliction of being obsessed with war. So it is cathartic to have this chance to get that out of my system. Compared to the florid Vernon, Kurt is quite taciturn. But I really enjoy telling his story.

In the final part of the show, Phill plays a deceased version of himself in the future, reflecting on his life. The comedian says that, It's a great device because the audience can ask me not just about myself, but also about current affairs. I can spiral off, looking at the future of the world over the next 40 years.

The other day, an audience member said to me as The Late Phill Jupitus, 'Tell us about your first Budget'. I replied, 'A lot of people were very surprised when I was made Chancellor by Prime Minister McIntyre in his all-comedy Cabinet.' The more the audience invest in the show, the more they get out of it. They will never be short-changed. You're Probably Wondering Why I've Asked You Here... comes to Colchester Arts Centre on Saturday July 6. Bookings on 01206 500900 or at

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