Here is one last, highly irreverent look at the year in film:
Biggest disappointment: Joss Whedon's "The Avengers."
Biggest disappointment still worth seeing: Paul Thomas Anderson's self-obsessed "The Master" was a pretentious bore, but Joaquin Phoenix's portrayal of a self-destructive loner was as ferocious a performance as Robert De Niro's in "Raging Bull."
Best movie that needed time to grow on you: Whit Stillman's "Damsels in Distress." For the first 10 minutes, you're like "Whaaaat?" After that, you're like "Ha ha ha!"
Best safety lesson tucked inside a summer blockbuster: "Prometheus." When being chased by a giant rolling spaceship shaped like a doughnut, it's better to run parallel to the vehicle instead of trying to cross directly in its path.
Most entertaining example of how Hollywood can help save lives: In "Argo," a CIA agent hires some studio reps to pose as a film crew in order to rescue six people stranded during the Iran hostage crisis. The power of movies!
Most mind-bending moment: Bruce Willis and Joseph Gordon-Levitt, two versions of the same man at different ages, sit down for a conversation at a diner in the time-travel thriller "Looper."
Most whimsical image: An enormous treehouse sits high atop a tree as thick as a toothpick in "Moonrise Kingdom."
Best sequel: None.
Most superfluous sequel: "Men in Black 3."
Most disappointing sequel: "American Reunion."
Worst sequel: "Taken 2."
Worst remake: "Total Recall."
Most satisfying end of a trilogy: "The Dark Knight Rises."
Most surprising end of a franchise: "The Twilight Saga: Breaking Dawn - Part 2," in which things are finally allowed to get crazy.
Least promising start of a franchise: "The Hunger Games."
Best entry in a continuing franchise: "Skyfall." Bond has never been better.
Most distracting use of soft-focus to hide the actors' out-of-control facelifts: "The Expendables 2."
Saddest sight: A rusty Arnold Schwarzenegger wincing as he fires a machine gun in "The Expendables 2."
Scariest sight: Jean-Claude Van Damme's plastic surgery in "The Expendables 2."
Best closing shot: As the music swells, a man stands before an enormous rising platform in "The Dark Knight Rises": A new hero is born.
Worst closing shot: Donald Sutherland looking annoyed in "The Hunger Games," as if he was stuck in a long checkout line at the grocery store.
Best action movie: "The Raid: Redemption". Relentless.
Worst action movie: "Red Dawn." The movie was delayed for two years. Should have stayed on the shelf.
Least exciting action movie: Steven Soderbergh's curiously uninvolving "Haywire."
Biggest cop-out: The ending of Oliver Stone's ludicrous "Savages." We were only kidding!
Most creative use of the found-footage format: The superhero movie "Chronicle."
Best line that doesn't make any sense taken out of context: "The harbinger is on line two," from "The Cabin in the Woods."
Best raise-the-roof moment: The Hulk uses Loki as a fly swatter in "The Avengers."
Best close-but-no-cigar attempt at something totally different: "Cloud Atlas."
Most successful attempt at something totally different: Leos Carax's indescribable "Holy Motors."
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News Column
Best and Worst of the Year in Film
Dec 28, 2012
Rene Rodriguez
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